There’s nothing better to get the creative juices flowing than a healthy dose of daydreaming; and here we have collated some of the most escape-worthy homes to peruse and lose yourself in
Hidden within rich foliage is the Japanese retreat of AB Concepts. Photography: Reylia Slaby
There’s no better way to indulge in some sofa travelling than a browse through these extraordinary escapes. Whether you’re after inspiration for your future home, a (Covid-safe) vacation, or just a sweet few moments of fantasy, there’s always an excuse to trawl the net for beautiful homes in amazing locations. From houses elegantly perched on forested North American cliffs to retreats nestled deep in verdant Mexican nature reserves, along with beach shacks, desert abodes and mountain cabins – this selection of enviable getaways is sure to get you daydreaming at your desk.
Ed Ng and Terence Ngan, who run the Hong Kong-based interior architectural studio AB Concept, are accustomed to creating glamorous environments for their clients – recent projects include restaurant Paper Moon Giardino in Milan, eateries for Four Seasons hotels around Asia, and a couture rug collection with Tai Ping Carpets. However, when it came to their holiday getaway, they decided on the bucolic Japanese hot-spring mountain resort of Karuizawa, an hour by Shinkansen from Tokyo and famed for its unassuming, relaxed lifestyle. ‘We wanted an antidote to our usual lives,’ Ng explains. After an intensive search, they selected a vertiginous forested site with unobstructed mountain views and, working with a local architect, created a simple, contemporary 200 sq m, two-storey timber and stone chalet.
The nature reserve El Torón is located on Mexico’s Pacific Coast, stretching 30 hectares of unspoiled, protected forest, mixing rich vegetation with ragged, rocky cliffs. This area of outstanding natural beauty is also the location of a sensitively designed, eco-friendly Oaxaca home by Mexico City-based IUA Ignacio Urquiza Arquitectos, which used sustainable architecture to striking visual and environmental effect. Casa en El Torón draws on the traditions of Mexican architects such as Marco Aldaco, Mario Lazo, Diego Villaseñor and José de Yturbe, who, since the 1970s, have championed an architecture that communes with its surroundings: buildings without doors or windows, that are open to nature and a site’s character and context. Taking these learnings and applying traditional building techniques of the area – such as the use of palm roofs, local materials, lightweight structures and natural cross ventilation – Ignacio Urquiza and his team moulded a house that sits comfortably and discreetly in its green surroundings.
A private family home commission in an unassiming neighbourhood led to a hidden jewel of a house in the city of Santa Cruz, California. Designed by Feldman Architecture, Surf House is a modern, bohemian home packed with character, sustainability credentials and connections with nature. Set right at the edge of one of the state’s best surf breaks, the house was conceived as a respectful, low-profile building. Its clean, modernist forms were created to be sensitive both to its immediate natural context and the community beyond, keeping a simple material palette. ‘The home is sited as a wind break,’ explain the architects. ‘The rear yard and deck capitalise on ocean views, while the entry and front courtyard, tucked behind two separate structures, sit where the sun shines most in the winter, acting as a warm, light-filled cloister all year round, protected from the coastal winds.’
In House of the Big Arch, Johannesburg-based outfit Frankie Pappas sought to both sensitively and spectacularly introduce a newly constructed home to a wild South African forest. The building’s frontage reads like a vertiginous tree trunk and the project is organised as one long, thin (just 330cm wide) building so as not to interfere with any existing sylvan activity – not a single tree was demolished during the process. The structure is made of weathered-looking, bark-toned, rough stock brick, which will both reference and complement the sandstone of the Waterberg Mountains in the surrounding Bushveld nature reserve. A raised living space reaches high up into the tree canopy and its roof is planted with endemic grasses, succulents and shrubs. Frankie Pappas is a freeform group, ‘fictional persona’ and ‘collective pseudonym’ that encourages coders, engineers, mathematicians, artists and managers to work with draughtsmen and architects to make ‘remarkable spaces’.
The Colombo-based architect, Palinda Kannangara has completed a wide portfolio of projects, which are as much about the surrounding context as the architecture. His restrained palette and contextual sensitivity to each site is informed by his early experience working with the Sri Lankan modernist architect, Anura Rantavibhushana, who trained with Geoffrey Bawa for 16 years. The Frame Holiday Structure is sited in the lowland wetzone of Sri Lanka, 60km from the Singharaja Rainforest. It was commissioned by a client, an ethno-musician and jazz drummer, who was keen to reclaim his ancestral land in which he grew up, which had been abandoned for decades due to flooding.
Circled by cool waters, engulfed in ragged natural beauty and green woods, yet only a short trip from Vancouver, Bowen Island makes for the perfect weekend escape. With this in mind, when a young family of city-dwellers picked a sloped site on the island to build their vacation home, they called upon British Columbia architects OMB (Office of Mcfarlane Biggar) for help. The result of their collaboration is Bowen Island House, a contemporary home conceived as a modern, all-mod-cons interpretation of the humble cabin in the woods. Nestled at the top of a steep slope on the island’s dramatic north side, the residence was designed to be open and bright, orientating views towards the blue sea and embracing the lush nature around it.
M House is a first for Ryuji Nakamura. A pupil of renowned Japanese architect Jun Aoki, Nakamura set up his independent practice in 2004 and went on to create delicate temporary installations and imaginative retail interiors in Japan, to great acclaim. His work has been widely acknowledged for its creator’s knack for precision, ethereal quality and clever use of intricate, repetitive patterns. Fast-forward to the present, and the architect has completed his largest project to date – a 290 sq m house, sitting along the ocean shore of eastern Japan. It also marks a clear departure from Nakamura’s previous work. His clients, longing for a ‘marine house with an aged look’, commissioned him (in collaboration with an interior designer and a landscape firm) for their dream retreat – and M House was born. The expert minimalist architecture of this Japanese home is both calming and contemporary.
Designers and husband-and-wife team Volkmar and Catharina Weiss were working with several established companies and high-profile clients such as BMW and Austrian Airlines from their main base in Vienna, when, a couple of years ago, they realised that their work/life balance was becoming skewed. Seeking to escape this, the couple decided to make the big move; relocate their family and business – Vald, their ‘agency for sustainable communication’ – to their holiday home, Haus Thurnberg, in the countyside of Austria’s Waldviertel region, to create a live/work headquarters that is healthier, closer to nature and more sustainable. This was not about going big – their new home is only 90 sq m. But taking a sustainably minded approach was important to the Weisses, both from a personal and a professional angle. ‘[Our vision was] to live and work with(in) nature,’ says Volkmar. ‘Our work life did not match our daily family routine and how we wanted to live. We love living in town but we felt the need to retreat in nature, where we can also draw inspiration for our work.’
This, largely open-air, house and pavilion complex is a family’s summer retreat in India. Conceived by local architecture and interiors firm Taliesyn, the rural Bengaluru home was designed to be at one with its surrounding nature and the picturesque setting beyond. The house sits in a generous plot, overlooking Savandurga Hill, Asia’s largest monolith hill and a known spot for nature trekking and climbing. The architects created the house so that it feels open, blurring the boundaries between inside and outside, in order to help residents commune with nature and relax, enjoying the long views of the landscape. Farming activity on the estate means that homegrown food can be sourced easily, further strengthening the connection between place and this new-build home.
Nestled within desert flora and rocky hills, the Cowboy Modern Desert Eco-Retreat is architect Jeremy Levine’s personal getaway – a stylish and entirely off-grid property with no water, sewer, or mobile service. Dramatic as this might seem, this sustainable home is as visually and technologically sophisticated as they come, featuring sleek, contemporary forms and eco-friendly systems. Set in Southern California’s Mojave Desert near Pioneertown and Joshua Tree National Park, the two-bedroom residence is surrounded by mesas and low desert vegetation. Inspired by this beautiful natural landscape, the architect composed a home that acts as a flagship for sustainable living, both in terms of its building methods and its connection with its surroundings. Large openings, locally reclaimed weathered lumber for all interior and exterior wood, and a roof pitch that echoes the context’s angles, mean this retreat is very much in sync with its locale.
Carlos Zwick’s newest project, a modernist-inspired house, replaces two old collapsed timber frame structures on the shores of Lake Jungfernsee in Potsdam. The site itself was impressive, stretching to some 4,000 sq m, and although it adjoined a busy road, it was overgrown and seemingly out of sight, out of mind. The Berlin-based architect had been hunting for a lake house – or suitable site for one – for several years, and even though he’d visited the neighbouring property, the area hadn’t caught his eye. Before it was abandoned, the site was a popular local destination, complete with a café, a dock for private boats and ferries, and even a ballroom. As the years passed, the decayed industrial character of the buildings put off potential buyers, even though it was perfectly located, close the city centre, because the structures were protected by law, despite their dilapidation. And new buildings were strictly prohibited from being located within 50m of the historic shore. Despite these obstacles, Zwick and his partner bought the site in 2014, not knowing whether they could even get permission to build there.
Founded in 2001 through the partnership of young Yale graduate Issa Diabaté and established Ivory Coast architect Guillaume Koffi, Koffi & Diabaté has made its reputation through a contemporary approach to traditional techniques. One of the firm’s most recent projects is the Pavillon TERE, a second home located in the coastal city of Assinie-Mafia. The architects describe the location as an ‘idyllic environment’ that is frequented by those looking to escape the noise and bustle of Abidjan, the country’s largest city, about 100km to the west. The new house is defined by its use of traditional construction methods, notably rammed earth walls. Carefully orientated to keep the internal spaces shaded from direct sunlight, the earth walls are built up in layers, with subtly varying colour pigmentation and a warm, soft finish. Junctions and details are kept simple throughout, with steel and hardwood frames and terrazzo flooring, while the entire structure is oversailed by a high sloped roof in corrugated metal with a wooden frame.
Toronto-based Brigitte Shim and Howard Sutcliffe started working on the masterplan of this five-acre plot on Point William, Lake Muskoka, in 1997. This house – the main one in the compound – is the latest addition to the larger project that serves as an extended family’s weekend retreat. The architects’ scheme unfolds cinematically, as a succession of vistas. The house is clad in rough-hewn blocks of local stone, self-rusting steel and ipe wood – materials that require no maintenance and are already beginning to weather. They sandwich a band of glass, shaded by irregularly spaced mullions, and this horizontal layering of materials breaks up the mass of the 6,500 sq ft house. Terraces take up the north and east corners of the building. A feeling of tactility enhances the spatial drama of the interior, with its snug bedrooms, expansive kitchen and lofty living spaces. Shim-Sutcliffe has brought rusted steel inside, but with the texture of smooth leather.
A bach is New Zealand’s answer to the humble beach cabin, and the Karekare Bach epitomises the building genre. The simple wooden structure was designed by Auckland-based studio Stevens Lawson Architects, headed by Nicholas Stevens and Gary Lawson, for the designer Dean Poole and his family. Situated deep in native bush, a stone’s throw from the small town of Karekare, this bach is the ultimate retreat: simple, fairly compact and surrounded by nature. This was a direct response to the owners’ brief, which outlined a holiday escape that would provide the ‘authentic New Zealand experience’. The architects worked hard to distil this into a building and Karekare Bach has been designed to perfection, from its overall proportions to its smallest details.
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